|The cast of RED VELVET at San Diego's Old Globe Theatre|
The show tells the story of Ira Aldridge (Albert Jones), a classically trained American actor who was the first black actor to play Othello at London’s prestigious Covent Garden in 1833. The renowned tragedian Edward Kean had been stricken and hospitalized, and rather than go dark (unheard of in the Garden’s history), the company’s French manager Pierre Laporte (Sean Dugan) makes a unilateral decision to hire Aldridge as Kean’s replacement.
|John Lavelle and Allison Mack|
|Allison Mack and Albert Jones|
She eagerly embraces the new intimacy and power she feels onstage; but sadly, the reception to the performance is not what any of them (save Charles Kean) expected and desired. The critics are brutal in their reviews of Aldridge’s performance (which playwright Chakrabarti takes from the actual newspaper texts of the time), stating “Owing to the shape of his lips, it is utterly impossible for him to pronounce English” and labeling him “an unseemly n*gg*r”.
The fallout from Laporte’s brave casting had a toxic effect on not only the actors but on the casting of ethnic actors in major roles for many years to follow. Aldridge was a ground-breaker on many levels and it’s sad that apart from theatre historians, his contributions are mostly unknown to current generations.
|Albert Jones and Sean Dugan|
|Mark Pinter, Amelia Pedlow and Albert Jones|
Director Stafford Arima, who previously helmed “Allegiance” and “Ace” for the Globe, has a sure hand with this material, finding the oh-so-relevant references to race and nationalism in the material. He keeps things moving forward, although I had a problem with the decision to have the show open with two characters speaking in Polish for several minutes.
In a climate that is full of uncertainty, with politics, art and race relations under siege, “Red Velvet” seems profoundly prescient despite its being written in 2011. Could Chakrabarti have had a premonition of “Brexit” and “Black Lives Matter”? Finding the universal truths in life is the hallmark of a talented writer, and she is deserving of the many awards the play has received.
If you love theatre go see “Red Velvet” and discover the story of the actor who has a memorial plaque at the Royal Shakespeare Theatre in Stratford-upon-Avon in honor of his contributions to the performing arts and another in Lodz, Poland where he was buried after dying while on tour at age 60 in August 1867.
The show plays until April 30, and tickets can be purchased at the Box Office, by calling 619-23-GLOBE or online at www.TheOldGlobe.org.
-- Lisa Lyons