|Michael Urie - Photo by Joan Marcus|
The wacky 90-minute satire is pure fiction when it comes to the narrative, however celebrity super-stars like Barbra Streisand often become the subjects of faux stories, books and plays. Also, female super-stars like Garland,Midler and Streisand have always had a love affair following within the gay community. The sly, tongue-in-cheek and, at times, touching “Buyer and Cellar” comedy is careful to avoid having Jonathan Tolins become the playwright who exposes the heretofore unknown idiosyncrasies of “Babs” in a mean-spirited way. Quite the contrary, but I doubt that many non-Hollywood people knew of her Malibu basement personal shopping mall, complete with a frozen yogurt machine.
Tolins pays his homage to Streisand throughout in a tender way but doesn’t let her off the hook completely. Yes, I know Tolins’ basic premise is far-fetched, as if we are staring through Alice’s looking glass, but it does allow us to peek into the lifestyle, however briefly, of one of America’s truly “rich and famous” people. “Remember, this is the part that’s real,” Urie says with an insouciant wink to the audience before he slips into character.
Actor Urie is charged with the tricky job of juggling the publicly known facts about Ms. Streisand, and the made up stuff that he and playwright Tolins, along with director Brackett, display on the Taper’s stage. Tolins creates the character of Alex More, a gay unemployed actor, who in an effort to just pay his rent accepts a job as caretaker of Barbra’s underground mall where the customer is always right. As its only customer Ms. Streisand is usually right, but not always. Alex and Ms. Streisand have a quite a gabfest covering a variety of subjects.
Urie is out there all alone for ninety laugh-filled minutes talking to Barry, his gay screenwriter boyfriend, to staff members of the Streisand household, including James Brolin and La Streisand herself. It’s a nimble, true tour-de-force performance by a very talented actor.
Director Brackett and his creative team have focused the on-stage action to take place on a spare stage and set designed by Andrew Boyce, with lighting by designer Eric Southern. The video projection design by Alex Koch, and sound design by Stowe Nelson, plus the single costume (jeans, shirt and Reeboks worn by Urie) is designed Jessica Pabst. All are solid efforts.
“Buyer and Cellar” plays at The Mark Taper Forum through August 17, 2014.